Copyright in Cyberspace

April 5

The Internet has enabled individuals to become involved in the production of media and to distribute their contributions widely at a very low cost. The former bastion of the entertainment industry is opening up to what many are calling a democratization of culture. The copyright doctrine of fair use seemingly bolsters the right to "recut, reframe, and recycle" previous works, but the protection fair use gives to those re-purposing copyrighted material is notoriously uncertain.

Digital and file-sharing technologies also spawned the proliferation of sharing of media and music, which has led to a number of controversial legal and technological strategies. The "notice-and-takedown" provisions of the Digital Millennium Copyright Act ("DMCA") allow Internet service providers to limit their liability for the copyright infringements of their users if the ISPs expeditiously remove material in response to complaints from copyright owners. The DMCA provides for counter-notice and "put-back" of removed material, but some argue that the statutory mechanism can chill innovative, constitutionally-protected speech.

This class provides an overview of some major copyright law concepts and takes up some of the issues swirling around copyright in cyberspace.

Required Readings

• U.S. Copyright Office, Copyright Basics
• 17 U.S.C. § 107 ("Limitations on Exclusive Rights: Fair Use")
• 17 U.S.C. § 512(c) ("Information Residing on Systems or Networks at Direction of Users")
• Lawrence Lessig, Free Culture (pp. 1-20)
• Viacom v. YouTube: "Viacom Says YouTube Ignored Copyrights" (M. Helft, NY Times, 3/18/2010), What the Viacom vs. YouTube Verdict Means for Copyright Law
• Righthaven Copyright Lawsuits: Las Vegas Sun, Righthaven wins round in litigation campaign, Las Vegas Sun, Righthaven lawsuits backfire, reduce protections for newspapers, and skim this.
• The Rise of the News Aggregator: Legal Implications and Best Practices

Optional Readings

• Super Bust: Due Process and Domain Name Seizure
• Creative Commons: A Spectrum of Rights (comic)
• Center for Social Media, Recut, Reframe, Recyle (full report optional)
• MGM v. Grokster, 545 U.S. 913 (2005) (Sec. II, pp. 928 - 937)
• "Rowling Wins Lawsuit Against Potter Lexicon" (J. Eligon, NY Times, 9/8/08)
• New York Times Bits Blog: Mixing It Up Over Remixes and Fair Use
• EFF, Unsafe Harbors: Abusive DMCA Subpoenas and Takedown Demands
• The White House Blog: Concrete Steps Congress Can Take to Protect America's Intellectual Property

Class Discussion

For the mind map software, I found VUE easy to use. I was especially impressed by the rendering in PDF. Everything fit neatly on the page. This was a big surprise after being a Microsoft Office User ;-). Also, PC Users, if you need to print to PDF, PDF Creator is wonderful. --SCL 22:17, 3 April 2011 (UTC)

The story of Edwin Howard Armstrong in Lawrence Lessig's Free Culture, is especially disturbing due to his unfortunate demise. FM radio was systematically repressed by RCA and the government (FCC); for the benefit of RCA (to keep it's market share with AM radio).The fight between RCA and Edwin Armstrong ultimately broke him down, but this story has repeated itself in many forms throughout history. RCA benefited from AM radio at the expense of millions of radio listeners who would have been able to enjoy clear FM transmissions. In this particular case, it lead to the direct death of the inventor and the short changing of the radio listening public. What happens in other cases where lives are at stake? Would a pharmaceutical company react the same way to protect their financial interests in the event of an important cure being developed? What if the cure was developed using prior pharmaceutical patents? Would “common sense revolt at the idea?”1 Earboleda 23:44, 4 April 2011 (UTC) 1 Lawrence Lessig, ( New York: Penguin Press, 1994) Free Culture, 2

Links

Interesting question: Have Media Companies Destroyed Their Copyrights With The ‘Share’ Button? --Gclinch 23:06, 3 April 2011 (UTC)