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Re: [dvd-discuss] Specific ironies of the CTEA
- To: dvd-discuss(at)cyber.law.harvard.edu
- Subject: Re: [dvd-discuss] Specific ironies of the CTEA
- From: "John Zulauf" <johnzu(at)ia.nsc.com>
- Date: Tue, 10 Dec 2002 13:56:15 -0700
- References: <82A53CA6-0C78-11D7-BEBD-003065F24232@ponymail.com>
- Reply-to: dvd-discuss(at)cyber.law.harvard.edu
- Sender: owner-dvd-discuss(at)cyber.law.harvard.edu
Jeremy Erwin wrote:
> Hmm. I seem to recall a a Charles Sheffield novel which features a
> composer and his dead wife, who are frozen for (eventually) billions of
> years. Sheffield, like, Larry Niven, proposes a type of indentured
> servitude to pay off the cryogenic maintenance debts.
>
> In the story, the composer's works have, of course, declined in
> commercial value-- the only reason that he is reanimated is that the
> cultural interest in the composer's period has been, to a certain
> extent, revived.
Then there is the OSC "Worthing Saga" in which the power elite regularly
cryo-sleep living only a few years per century. The power elite live
off of numerous enduring assets, long term interest bearing accounts
and investment, but Card didn't refer to copyrights as a possibility.
.002