[What is Pornography?] [Is Pornography Speech?] [Violent Repercussions of Pornography] [A Rapist's Perspective] [The Civil Rights Approach] [The Baker Case Study] [Discussion Questions]
In this module we will first explore the traditional debate surrounding the regulation of pornographic materials -- looking both to the social constructs supporting and resulting from the creation and consumption of pornography and also to possible legal paradigms for regulation. We will then analyze the same problem in a new context -- the context of pornography and violence against women on the internet.
Note: We realize there are many differing views on pornography and its regulation. In this module, however, we are focusing on pornography and violence against women. Therefore, we concentrate on violent pornography and its affects.
It has often been commented that "one of the greatest debates about pornography is the question of how to distinguish pornography from erotica." Here, in an article first printed in Ms. magazine, and then in the Take Back the Night: Women on Pornography collection of essays, Gloria Steinem provides a "practical test" for making the distinction between the two.
Erotica and Pronography: A Clear and Present Difference, by Gloria Steinem
"[E]rotica" is rooted in "eros" or passionate love, and thus in the idea of positive choice, free will, the yearning for a particular person. (Interestingly, the definition of erotica leaves open the question of gender.) "Pornography" begins with a root "porno," meaning "prostitution" or "female captives," thus letting us know that the subject is not mutual love, or love at all, but domination and violence against women. (Though, of course, homosexual pornography may imitate this violence by putting a man in the "feminine" role of victim.) It ends with a root "graphos," meaning "writing about" or "description of," which puts still more distance between subject and object, and replaces a spontaneous yearning for closeness with objectification and voyeurism. The difference is clear in the words. It becomes even more so by example.
Look at any photo of film of people making love; really making love. The images may be diverse, but there is usually a sensuality and touch and warmth, an acceptance of bodies and nerve endings. There is always a spontaneous sense of people who are there because they want to be, out of shared pleasure.
Now look at any depiction of sex in which there is clear force, or an unequal power that spells coercion. It may be very blatant, with weapons of torture or bondage, wounds and bruises, some clear humiliation, or an adult’s sexual power being used over a child. It may be much more subtle: a physical attitude of conqueror and victim, the use of race or class difference to imply the same thing, perhaps a very unequal nudity, with one person exposed and vulnerable while the other is closed. In either case, there is no sense of equal choice or equal power.
The first is erotic: a mutually pleasurable, sexual expression between people who have enough power to be there by positive choice. It may or may not strike a sense-memory in the viewer, or be creative enough to make the unknown seem real; but it doesn’t require us to identify with a conqueror or a victim. It is truly sensuous, and may give us a contagion of pleasure.
The second is pornographic: its message is violence, dominance, and conquest. It is sex being used to reinforce some inequality, or to create one, or to tell us that pain and humiliation (ours or someone else’s) are really the same as pleasure. If we are to feel anything, we must identify with conqueror or victim. That means we can only experience pleasure through the adoption of some degree of sadism or masochism. It also means that we may feel diminished by the role of conqueror, or enraged, humiliated, and vengeful by sharing identity with the victim.
. . . While the sexual objectification or women is common to all pornography, women are the recipients of even worse treatment in violent pornography, in which women characters are killed, tortured, gang-raped, mutilated, bound, and otherwise abused, as a means of providing sexual stimulation or pleasure to the male characters.
Following this distinction, the topic of discussion in this module will focus on pornography as described by the Report of the Attorney General's Commission on Pornography:
Report of the Attorney General’s Commission on Pornography
The category of material on which most of the evidence has focused is the category of material featuring actual or unmistakably simulated or unmistakably threatened violence presented in sexually explicit fashion with a predominant focus on the sexually explicit violence. Increasingly, the most prevalent forms of pornography, as well as an increasingly prevalent body of less sexually explicit material, fit this description. Some of this material involves sadomasoschistic themes, with the standard accoutrements of the genre, including whips, chains, devices of torture, and so on. But another theme of some of this material is not sado-masochistic, but involves instead the recurrent theme of a man making some sort of sexual advance to a woman, being rebuffed, and then raping the woman or in some other way violently forcing himself on the woman. In almost all of this material, whether in magazine or motion picture form, the woman eventually becomes aroused and ecstatic about the initially forced sexual activity, and usually is portrayed as begging for more. There is also a large body of material, more “mainstream” in its availability, that portrays sexual activity or sexually suggestive nudity coupled with extreme violence, such as disfigurement or murder. The so-called “slasher” films fit this description, as does some material, both in films and in magazines, that is less or more sexually explicit than the prototypical “slasher” film.
The prototypical pornographic item, upon close analysis, shares more of the characteristics of sexual activity than of the characteristics of the communicative, emotive, or artistic processes. Pornography is, in a real sense, a sexual surrogate. Pornography as action rather than speech is an important distinction to make when considering whether regulation of pornographic materials is allowed by the First Amendment. Consider Frederick Schauer's perspective on this definitional and empirical issue that undergirds much of the pronography debate:
Speech and “Speech” – Obscenity and “Obscenity”: An Exercise in the Interpretation of Constitutional Language, by Frederick Schauer; 67 Geo.L.J. 899, 922-923 (1979).
[Pornography] takes pictorial or linguistic form only because some individuals achieve sexual gratification by those means.
Imagine a person going to a house of prostitution, and, in accord with his or her particular sexual preferences, requesting that two prostitutes engage in sexual activity with each other while he becomes aroused. Having achieved sexual satisfaction in this manner, he pays his money and leaves, never having touched either of the prostitutes. Imagine an individual who asks that a leather-clad prostitute crack a whip within an inch of his ear. Are these free speech cases? Hardly. Despite the fact that eyes and ears are used, these incidents are no more cognitive than any other experience with a prostitute. It is essentially a physical activity, the lack of actual contact notwithstanding.
If the above examples are not free speech cases, is there any real difference between the same activity when presented on film rather than in the flesh? Consider further rubber, plastic, or leather sex aids. It is hard to find any free speech aspects in their sale or use. If pornography is viewed merely as a type of aid to sexual satisfaction, any distinction between pornography and so-called “rubber products” is meaningless. The mere fact that in pornography the stimulating expereince is initiated by visual rather than tactile means is irrelevant if every other aspect of the experience is the same. Neither means constitutes communication in the cognitive sense. Pornography involves neither a communicator nor an object of the communication. The purveyor of the pornography is in the business solely of providing sexual pleasure; it is unrealistic to presume that he is anything but indifferent to the method by which pleasure is provided and profit secured. Similarly, there is no reason to believe that the recipient desires anything other than sexual stimulation. Hardcore pornography, then, is distinguished by its similarity in all relevant respects to a wide range of other sexual experiences.
The point is that the use of pornography may be treated conceptually as a purely physical rather than mental experience. This is of course an oversimplification. Physical sensations, including sexual arousal, have mental elements. Is pain physical or mental? Some of both, surely. The same is true of physical attributes of sexuality. A helpful illustration of this phenomenon is a spectrum, or a range – the intellectual predominates one extreme and the physical predominates the other. At the physical extreme of the spectrum the conduct possesses so few mental attributes that it has none of the characteristics of the intellectual process constituting the core of the constitutional definition of speech.
Not only does pornography itself constitute violence against women, but the consumption of pornography facilitates further acts of violence against women. Consider, for example, the following Report of the Attorney General's Commission on Pornography:
Report of the Attorney General’s Commission on Pornography: Section 5.2.1 Sexually Violent Material
. . . [C]linical and experimental research. . .[has] focused particularly on sexually violent material,[and] the conclusions have been virtually unanimous. In both clinical and experimental settings, exposure to sexually violent materials has indicated an increase in the likelihood of aggression. More specifically, the research, which is described in much detail in the appendix, shows a causal relationship between exposure to material of this type and aggressive behavior towards women.
. . . The assumption that increased aggressive behavior towards women is causally related, for an aggregate population, to increased sexual violence is significantly supported by the clinical evidence, as well as by much of the less scientific evidence. This is not to say that all people with heightened levels of aggression will commit acts of sexual violence. But it is to say that over a sufficiently large number of cases we are confident in asserting that an increase in aggressive behavior directed at women will cause an increase in the level of sexual violence directed at women.
Since the clinical and experimental evidence supports the conclusion that there is a causal relationship between exposure to sexually violent materials and an increase in aggressive behavior directed towards women, and since we believe that an increase in aggressive behavior towards women will in a population increase the incidence of sexual violence in that population, we have reached the conclusion unanimously and confidently, that the available evidence strongly supports the hypothesis that substantial exposure to sexually violent materials as described here bears a causal relationship to antisocial acts of sexual violence and, for some subgroups, possibly to unlawful acts of sexual violence.
Sexual violence is not the only negative effect reported in the research to result from substantial exposure to sexually violent materials. The evidence is also strongly supportive of significant attitudinal changes on the part of those with substantial exposure to violent pornography. These attitudinal changes are numerous. Victims of rape and other forms of sexual violence are likely to be perceived by people so exposed as more responsible for the assault, as having suffered less injury, and as having been less degraded as a result of the experience. Similarly, people with a substantial exposure to violent pornography are likely to see the rapist or other sexual offender as less responsible for the act and as deserving of less stringent punishment.
. . . The evidence also strongly supports the conclusion that substantial
exposure to violent sexually explicit material leads to a greater acceptance
of the “rape myth” in its broader sense – that women enjoy being coerced into
sexual activity, that they enjoy being physically hurt in sexual context,
and that as a result a man who forces himself on a woman sexually is in fact
merely acceding to the “real” wishes of the woman, regardless of the extent
to which she seems to be resisting. . .
We have found a causal relationship between sexually explicit materials
featuring violence and these consequences, and thus conclude that the class
of such materials, although not necessarily every individual member of that
class, is on the whole harmful to society.
Interview with a Rapist, by Timothy Beneke
. . . I
went to a porno bookstore, put a quarter in a slot, and saw this porn movie. It was just a guy coming up from behind a girl
and attacking her and raping her. That’s
when I started having rape fantasies. When
I seen that movie, it was like somebody lit a fuse from my childhood on up.
When that fuse got to the porn movie, I exploded.
I just went for it, went out and raped. It
was like a little voice saying, ‘It’s all right, it’s all right, go ahead
and rape and get your revenge, you’ll never get caught.
Go out and rip off some girls. It’s
all right, they even make movies of it.”
The movie was just like a big picture stand with words on it saying
go out and do it, everybody’s doin’ it, even the movies.
So I just went out that night and started lookin’.
When I first attacked her I wasn’t even turned
on; I wanted to dominate her. When
I saw her get scared and hurt, then I got turned on.
I wanted her to feel like she’d been drug through mud. I wanted her to feel a lot of pain and not enjoy none of it. The more pain she felt, the higher I felt.
. . I pulled out of her when I was
about to come and I shot in her face and came all over her. It was like I pulled a gun and blew her brains out. That was my fantasy.
Pornographic movies have a lot to do with rape. I believe they shouldn’t make movies of any kind of rape. They just shouldn’t show it. . . You look at these movies and think, “Wow, I wonder what it would be like to go out and rape somebody!” . . . I know five or six guys who saw pictures of rape in a dirty book and believed it was all right to go out and rape; just still snapshots and that justified it to them. It said, okay, go out and rape because it’s in a dirty book; there’s nothin’ wrong with it.
Pornography, Civil Rights and Speech, Catharine MacKinnon
20 Harv.Civ.Rts.
– Civ.Lib.L.Rev. 1, 16-21, 24-26, 47-54, 65 (1985).
In pornography, there it is, in
one place, all of the abuses that women had to struggle so long even to
begin to articulate, all the unspeakable abuse: the rape, the battery, the
sexual harassment, the prostitution, and the sexual abuse of children. Only in the pornography it is called something else: sex, sex, sex, sex, and sex, respectively. Pornography
sexualizes rape, battery, sexual harassment, prostitution, and child sexual
abuse; it thereby celebrates, promotes, authorizes, and legitimizes them.
More generally, it eroticizes the dominance and submission that is
the dynamic common to them all. It
makes hierarchy sexy and calls that "the truth about sex"' or
just a mirror of reality. Through this process, pornography constructs what
a woman is as what men want from sex. This is what the pornography means.
* * *
Pornography constructs what a woman is in terms
of its view of what men want sexually, such that acts of rape, battery,
sexual harassment, prostitution,and sexual abuse of children become acts
of sexual equality. Pornography's world of equality is a harmonious and
balanced place. Men and women are perfectly complementary and perfectly
bipolar. Women's desire to be fucked by men is equal
to men's desire to fuck women. All the ways men love to take and violate
women, women love to be taken and violated.
The women who most love this are most men's equals, the most liberated;
the most participatory child is the most grown-up, the most equal to an
adult. Their consent merely expresses
or ratifies these preexisting facts.
The content of pornography is one thing. There, women substantively desire dispossession
and cruelty. We desperately want
to be bound, battered, tortured, humiliated, and killed. Or, to be fair
to the soft core, merely taken and used. This is erotic to the male point
of view. Subjection itself with
self-determination ecstatically relinquished is the content of women's sexual
desire and desirability. Women are there to be violated and possessed, men
to violate and possess us either on screen or by camera or pen on behalf
of the consumer. On a simple descriptive
level, the inequality of hierarchy, of which gender is the primary one,
seems necessary for the sexual arousal to work.
Other added inequalities identify various pornographic genres or
sub- themes, although they are always added through gender: age, disability,
homosexuality, animals, objects, race (including anti-semitism), and so
on. Gender is never irrelevant.
What pornography does goes beyond its content:
It eroticizes hierarchy, it sexualizes inequality. It makes dominance and submission sex. Inequality is its central dynamic; the illusion of freedom coming
together with the reality of force is central to its working. Perhaps because this is a bourgeois culture,
the victim must look free, appear to be freely acting. Choice is how she
got there. Willing is what she is
when she is being equal. It seems
equally important that then and there she actually be forced and that forcing
be communicated on some level, even if only through still photos of her
in postures of receptivity and access, available for penetration. Pornography in this view is a form of forced
sex, a practice of sexual politics, an institution of gender inequality.
From this perspective, pornography is neither harmless
fantasy nor a corrupt and confused misrepresentation of an otherwise natural
and healthy sexual situation. It
institutionalizes the sexuality of male supremacy, fusing the erotization
of dominance and submission with the social construction of male and female.
To the extent that gender is sexual, pornography is part of constituting
the meaning of that sexuality. Men treat women as who they see women as
being. Pornography constructs who that is.
Men's power over women means that the way men see women defines who
women can be. Pornography is that way. Pornography is not imagery in some relation
to a reality elsewhere constructed. It
is not a distortion, reflection, projection, expression, fantasy, representation,
or symbol either. It is a sexual reality.
* * *
In this approach, the experience of the (overwhelmingly)
male audiences who consume pornography is therefore not fantasy or simulation
or catharsis but sexual reality, the level of reality on which sex itself
largely operates. Understanding this dimension of the problem does not require
noticing that pornography models are real women to whom, in most cases,
something real is being done; nor does it even require inquiring into the
systematic infliction of pornography and its sexuality upon women, although
it helps. The way in which the pornography
itself provides what those who consume it want matters. Pornography participates
in its audience's eroticism through creating an accessible sexual object,
the possession and consumption of which is male sexuality, as socially constructed;
to be consumed and possessed as which, is female sexuality, as socially
constructed; and pornography is a process that constructs it that way.
The object
world is constructed according to how it looks with respect to its possible
uses. Pornography defines women
by how we look according to how we can be sexually used. Pornography codes
how to look at women, so you know what you can do with one when you see
one. Gender is an assignment made visually, both originally and in everyday
life. A sex object is defined on the basis of its looks, in terms of its
usability for sexual pleasure, such that both the looking the quality of
the gaze, including its point of view and the definition according to use
become eroticized as part of the sex itself.
This is what the feminist concept "sex object"' means. In this sense, sex in life is no less
mediated that it is in art. One
could say men have sex with their image of a woman. It is not that life
and art imitate each other; in this sexuality, they are each other.
To give
a set of rough epistemological translations, to defend pornography as consistent
with the equality of the sexes is to defend the subordination of women to
men as sexual equality. What in the pornographic view is love and romance
looks a great deal like hatred and torture to the feminist. Pleasure and
eroticism become violation. Desire
appears as lust for dominance and submission.
The vulnerability of women's projected sexual availability, that
acting we are allowed (i.e. asking to be acted upon), is victimization. Play conforms to scripted roles. Fantasy expresses
ideology, is not exempt from it. Admiration of natural physical beauty becomesobjectification.
Harmlessness becomes harm. Pornography is a harm of male supremacy
made difficult to see because of its pervasiveness, potency, and, principally,
because of its success in making the world a pornographic place. Specifically,
its harm cannot be discerned, and will not be addressed, if viewed and approached
neutrally, because it is so much of "what is."' In other words, to the extent pornography
succeeds in constructing social reality, it becomes invisible as harm.
If we live in a world that pornography creates through the power
of men in a male dominated situation the issue is not what the harm of pornography
is, but how that harm is to become visible.
*
* *
Obscenity, in this light, is a moral idea; an idea
about judgments of good and bad. Pornography,
by contrast, is a political practice, a practice of power and powerlessness.
Obscenity is ideational and abstract; pornography is concrete and substantive.
The two concepts represent two entirely different things.
Nudity, excess of candor, arousal or excitement, prurient appeal,
illegality of the acts depicted, and unnaturalness or perversion are all
qualities that bother obscenity law when sex is depicted or portrayed.
Sex forced on real women so that it can be sold at a profit to be
forced on other real women; women's bodies trussed and maimed and raped
and made into things to be hurt and obtained and accessed and this presented
as the nature of women in a way that is acted on and acted out over and
over; the coercion that is visible and the coercion that
has become invisible this and more bothers feminists about pornography.
Obscenity as such probably does little harm. Pornography is integral to
attitudes and behaviors of violence and discrimination which define the
treatment and status of half the population.
*
* *
At the request of the city of Minneapolis, Andrea
Dworkin and I conceived and designed a local human rights ordinance in accordance
with our approach to the pornography issue. We define pornography as a practice of sex
discrimination, a violation of women's civil rights, the opposite of sexual
equality. Its point is to hold accountable, to those who are injured, those
who profit from and benefit from that i jury.
It means that women's injury - our damage, our pain, our enforced
inferiority - should outweigh their pleasure and their profits, or sex equality
is meaningless.
We define pornography as the graphic sexually explicit
subordination of women through pictures or words that also includes women
dehumanized as sexual objects, things, or commodities, enjoying pain or
humiliation or rape, being tied up, cut up, mutilated, bruised, or physically
hurt, in postures of sexual submission or servility or display, reduced
to body parts, penetrated by objects or animals, or presented in scenarios
of degradation, injury, torture, shown as filthy or inferior, bleeding,
bruised, or hurt in a context that makes these conditions sexual. Erotica,
defined by distinction as not this, might be sexually explicit materials
premised on equality. We also provide
that the use of men, children or transsexuals in the place of women is pornography.
The definition is substantive in that it is
sex specific, but it covers everyone in a sex specific way, so is gender
neutral in overall design.
There is a buried issue within sex discrimination
law about what sex, meaning gender, is.
If sex is a difference, social or biological, one looks to see if
a challenged practice occurs along the same lines; if it does, or if it
is done to both sexes, the practice is not discrimination, not inequality. If, by contrast, sex inequality is a matter
of dominance, the issue is not the gender difference but the difference
gender makes. In this more substantive,
less abstract approach, the concern is whether a practice subordinates on
the basis of sex. The first approach
implies that marginal correction is needed; the second suggests social change.
Equality to the first centers on abstract symmetry between equivalent categories;
the asymmetry that occurs when categories are not equivalent is not inequality,
it is treating unlikes differently. To
the second approach, inequality centers on the substantive, cumulative disadvantagement
of social hierarchy. Equality to the first is nondifferentiation; to the
second, equality is nonsubordination. Although it is consonant with both
approaches, our anti pornography statute emerges largely from an analysis
of the problem under the second approach.
To define pornography as a practice of sex discrimination
combines a mode of portrayal that has a legal history - the sexually explicit
- with an active term central to the inequality of the sexes - subordination.
Among other things, subordination means to be placed in a position of inferiority
or loss of power, or to be demeaned or denigrated. To be someone's subordinate
is the opposite of being their equal. The definition does not include all sexually
explicit depictions of the subordination of women. That is not what it says.
It says, this which does that: the sexually explicit which subordinates
women. To these active terms to capture what the pornography does, the definition
adds a list of what it must also contain.
This list, from our analysis, is an exhaustive description of what
must be in the pornography for it to do what it does behaviorally. Each item in the definition is supported by experimental, testimonial,
social, and clinical evidence. We made a legislative choice to be exhaustive
and specific and concrete rather than conceptual and general, to minimize
problems of chilling effect, making it hard to guess wrong, thus making
self-censorship less likely, but encouraging (to use a phrase from discrimination
law) voluntary compliance, knowing that if something turns up that is not
on the list, the law will not be expansively interpreted.
*
* *
Although
police have known it for years, reported cases are increasingly noting the
causal role of pornography in some sexual abuse.
In a recent Minnesota case, a fourteen-year-old girl on a bicycle
was stopped with a knife and forced into a car. Her hands were tied with
a belt, she was pushed to the floor and covered with a blanket. The knife was then used to cut off her clothes, and fingers and a knife
were inserted into her vagina. Then the man had her dress, drove her to
a gravel pit, ordered her to
stick a safety pin into the nipple of her left breast, and forced her to
ask him to hit her. After hitting
her, he forced her to commit fellatio and to submit to anal penetration,
and made her use a cigarette to burn herself on her breast and near her
pubic area. Then he defecated and urinated on her face, forced her to ingest
some of the excrement and urine and made
her urinate into a cup and drink it.
He took a string from her blouse and choked her to the point of unconsciousness,
leaving burn marks on her neck, and after cutting her with his knife in
a couple of places, drove her back to where he had gotten her and let her
go. The books that were found with this man were: Violent Stories of Kinky
Humiliation, Violent Stories of Dominance and Submission - you think feminists
made up these words - Bizarre Sex Crimes, Shamed Victims, and Water Sports
Fetish, Enemas and Golden Showers. The Minnesota Supreme Court said "It
appears that in committing these various acts, the defendant was giving
life to some stories he had read in various pornographic books."'
*
* *
Now
I'm going to talk about causality in its narrowest sense.
Recent experimental research on pornography shows that the materials
covered by our definition cause measurable harm to women through increasing
men's attitudes and behaviors of discrimination in both violent and nonviolent
forms. Exposure to some of the pornography in our definition increases normal
men's immediately subsequent willingness to aggress against women under
laboratory conditions. It makes
normal men more closely resemble convicted rapists attitudinally, although
as a group they don't look all that different from them to start with. It also significantly increases attitudinal
measures known to correlate with
rape and self reports of aggressive acts, measures such as hostility toward
women, propensity to rape, condoning rape, and predicting that one would
rape or force sex on a woman if one knew one would not get caught. This latter measure, by the way, begins with
rape at about a third of all men and moves to half with "forced sex."'
*
* *
For those of you who still think pornography is
only an idea, consider the possibility that obscenity law got one thing
right. Pornography is more act -
like than thought - like. The fact
that pornography, in a feminist view, furthers the idea of the sexual inferiority
of women, which is a political idea, doesn't make the pornography itself
into a political idea. One can express
the idea a practice embodies. That
does not make that practice into an idea. Segregation expresses the idea
of the inferiority of one group to another on the basis of race. That does not make segregation an idea. A sign
that says "Whites Only"' is only words. Is it therefore protected by the first
amendment? Is it not an act, a practice, of segregation because of the inseparability
of what it means from what it does? Law is only words.
The issue here is whether the fact that the central link in the cycle of abuse that I have connected is words and pictures will immunize that entire cycle, about which we cannot do anything without doing something about the pornography.
Andrea Dworkin and Catharine A. MacKinnon coauthored an overview of their antipornography civil rights ordinance in 1992 for the Judiciary Committee of the Commonwealth of Massachusetts. Excerpts from the text of this model antipornography civil rights ordinance can be found online, in addition to MacKinnon and Dworkin's book, A New Day For Women's Equality, which explains: "How pornography hurts women and how and why the civil-rights ordinance would make a difference; Why the pornography is so important to women's equality; The truth about the antipornography civil-rights ordinance--what it is, what it does, what it means, how it works; Answers to the lies about it--lies that the media have spread to protect the pornography industry; What you can do to stop the pornographers and further women's equality."
Pornography is an issue that has divided many feminists. Nan Hunter and Sylvia Law opposed the MacKinnon-Dworkin ordinance. Consider the following excerpt from their amici brief filed in the American Booksellers v. Hudnut case:
Amici Brief: American Booksellers v. Hudnut, Nan Hunter and Sylvia Law
Although Appellants argue that the ordinance is designed to restrict images which legitimate violence and coercion against women, the definition of pornography in the ordinance is not limited to images of violence or of coercion, or to images produced by women who were coerced…(I)t extends to any sexually explicit material which an agency or court finds to be ‘subordinating’ to a claimant acting on behalf of women and which fits within one of the descriptive categories…
The constitutionality of the ordinance depends on the assumption that state agencies and courts can develop clear legal definitions of terms like ‘sexually explicit subordination’ ‘sexual object,’ and ‘scenarios of degradation’ and ‘abasement.’ In truth, these terms are highly contextual and of varying meanings…
Words and images do influence what people think, how they feel, and what they do, both positively and negatively. Thus pornography may have such influence. But the connection between fantasy or symbolic representation and actions in the real world is not direct or linear. Sexual imagery is not so simple to assess. In the sexual realm, perhaps more so than in any other, messages and their impact on the viewer or reader are often multiple, contradictory, layered and highly contextual…
This provision does far more than simply provide a remedy to women who are pressured into the creation of pornography which they subsequently seek to suppress. It functions to make all women incompetent to enter into legally binding contracts for the production of sexually explicit material. When women are legally disabled from making binding agreements, they are denied power to negotiate for fair treatment and decent pay…
To resist forced sex and violence, women need the material resources to enable them to reject jobs or marriages in which they are abused or assaulted and the internal and collective strength to fight the conditions of abuse. The ordinacnce does nothing to enhance the concrete economic and social power of women. Further, its stereotype of women as powerless victims undermines women’s ability to act affirmatively to protect themselves…
Suppression of sexually explicit material will not eliminate the pervasive sexist images of the mainstream culture or the discriminatory economic and social treatment that maintains women’s second class status. Such suppression will not empower women to enter into sexual relationships on a voluntary, consensual basis. Empowering women requires something more than suppression of texts and images. It demands ‘concrete material changes that enable women and men to experience sexuality less attached to and formed by gender.’ These changes include social and economic equality; access to jobs, day care and education; more equal sharing of responsibility for children; recognition of the social and economic value of the work that women have traditionally done in the home; and access to birth control, abortion, and sex education.
See also, Susan Etta Keller, Viewing and Doing: Complicating Pornography’s Meaning, 81 Georgetown Law Journal 2195 (1993).
As exemplified by the readings presented above, extensive academic debate has taken place concerning the legal issues and social ramifications implicated by the connection between pornography and violence against women.
Recently, however, the debate has intensified in political circles and societal spheres outside the realms of academia and Supreme Court jurisprudence. This trend is at least in part attributable to the development of a new problem -- the problem of pornography, stalking, and violence against women on the internet. Demands for regulation of violence against women in cyberspace have increased exponentially with the reporting of high-profile cyber-stalking and e-mail harassment cases. [For example, Vice President Al Gore recently called for "stronger federal laws to combat stalking over the Internet." See Vice President Calls for Better Cyber Stalking Laws, 9/18/99].
One of these cases, United States v. Baker, is the subject of this week's Case Study. Please read the excerpts from the district court opinion and appellate court majority and dissent opinions provided below. Please note that the dissent to the appellate court opinion contains very explicit sexual and violent material.
In addition, optional background readings are available on the following topics: current state and federal stalking laws (including 18 U.S.C. § 875(c), the statute Jake Baker was charged with violating); First Amendment considerations relating to anti-cyberstalking statutes; the extent of the cyber-stalking problem; and Internet industry attempts to deal with the cyberstalking problem.
UNITED
STATES of America, Plaintiff,
v.
Jake
BAKER and Arthur Gonda, Defendants.
United States District Court,
COHN, District
Judge.
"It
is not the policy of the law to punish those unsuccessful threats which it is
not presumed would terrify ordinary persons excessively;
and there is so much opportunity for magnifying or misunderstanding undefined
menaces that probably as much mischief would be caused by letting them be prosecuted
as by refraining from it."
I. Introduction
This is a criminal prosecution under 18 U.S.C.
§ 875(c). Defendant Jake Baker (Baker) is charged . .
. with five counts of transmitting threats to injure or kidnap another, in electronic
mail (e-mail) messages transmitted via the Internet.
[FN1] Now
before the Court is Baker's motion to quash the superseding indictment. For
the reasons that follow, the motion will be granted.
II. Background
The
complaint is based on an FBI agent's affidavit which cited language taken from
a story Baker posted to an Internet newsgroup entitled "alt.sex.stories,"
and from e-mail messages he sent to Gonda.
The story graphically described the torture, rape, and murder of a woman
who was given the name of a classmate of Baker's at the University of Michigan.
The "alt.sex.stories" newsgroup to which Baker's story was
posted is an electronic bulletin board, the contents of which are publicly available
via the Internet. Much of the attention
this case garnered centered on Baker's use of a real student's name in the story.
.
. . Baker has filed a motion seeking dismissal. . . He contends that application
of 18 U.S.C. § 875(c) to the e-mail transmissions pushes the boundaries of the
statute beyond the limits of the First Amendment.
The government responds that the motion must be denied because the First
Amendment does not protect "true threats," and because whether a specific
communication constitutes a true threat is a question for the jury.
IV. The Communications
A.
Count I charges Baker and Gonda with transmitting
a threat to injure, and quotes from three e-mail messages.
In the first message quoted, dated December 1, 1994, Baker responds to
a message he had received from Gonda:
FN20.
The typographic, spelling, and grammatical errors in this and the following
quotations are reproduced from the originals.
I would love to do a 13 or 14 year old.
I think you are right ... not only their innocence but their young bodies
would really be fun to hurt. As far as being easier to control ... you may
be right, however you can control any bitch with rope and a gag ... once tey
are tieed up and struggling we could do anything we want to them ... to any
girl. The trick is to be very careful
in planning. I will keep my eye out
for young girls, and relish the fantasy ... BTW [FN21]
how about your neighbour at home, youm may get a chance to see her ...? ...?
FN21.
"BTW" is shorthand for "by the way."
The
same day, Baker responded:
True. But young girls still turn me on more. Likely to be nice and tight. Oh. they'd scream
nicely too!
The bill of particulars identifies the targets
of these statements as:
As
to the content of the messages, Baker's discussing his
"tastes" in the first paragraph of his December 1 message does
not involve any identifiable threatened action.
In the second paragraph of the December 1 message, he expresses a desire
"to do it to" a 13 or 14 year old girl.
Even assuming that more context would clarify the phrase "to do
it to," the second paragraph also fails to mention an intention to do anything. Rather, it seeks Gonda's reaction to Baker's
desire, asking: "What do you think?"
Discussion of desires, alone, is not tantamount to threatening to act
on those desires. Absent such a threat to act, a statement is protected
by the First Amendment.
As
to Baker's message of December 2, the first paragraph again discusses a predilection
toward "young girls," and what it would be like, presumably, "to
do it to" "young girls." It
does not mention any intention to act in accordance with the expressed predilection. The second paragraph responds to Gonda's question
about a neighbor "at home." It
says "she'd be a great catch," but expresses no intention to "catch"
her, and indicates a desire to "make her cry," but, again, expresses
no intention to take any action in accordance with that desire.
It is not constitutionally permissible to infer an intention to act on
a desire from a simple expression of the desire.
The intention (whether or not actually held) must itself be expressed
in the statement. Count I fails to meet this standard, and must
be dismissed.
B.
Counts
II and III are based on the same statement made by Baker in an e-mail message
dated December 9, 1994, and charge Baker with making a threat to kidnap and
a threat to injure, respectively. The
statement for which Baker is charged in the two counts reads:
I just picked up Bllod Lust and have started
to read it. I'll look for "Final
Truth" tomorrow (payday). One of
the things I've started doing is going back and re-reading earlier messages
of yours. Each time I do.
they turn me on more and more. I can't wait to see you in person. I've been trying to think of secluded spots.
but my knowledge of Ann Arbor is mostly limited to the campus.
I don't want any blood in my room, though I have come upon an excellent
method to abduct a bitch --
As I said before, my room is right across
from the girl's bathroom. Wiat until
late at night. grab her when she goes
to unlock the dorr. Knock her unconscious.
and put her into one of those portable lockers (forget the word for it). or even a duffle bag. Then hurry her out to the car and take her
away ... What do you think?
The bill of particulars identifies the target
of the statement as: "Female college
students who lived in Defendant Jake Baker's dormitory at the University of
Michigan in Ann Arbor, Michigan." Apart
from concerns about equating Baker's online persona with his real person, the
class of would-be targets here is identified with sufficient specificity.
C.
Count IV charges Baker and Gonda with transmitting
a threat to injure. The Count is based
on a message from Gonda to Baker, and Baker's response. Both e-mail messages
are dated December 10, 1994. Gonda wrote:
Hi Jake. I have been out tonight and I can tell you
that I am thinking more and more about 'doing' a girl. I can picture it so well ... and I can think
of no better use for their flesh. I
HAVE to make a bitch suffer!
As far as the Teale-homolka killings,
well I can think of no tastier crimes ... BTW have you seen any pictures of
the girls? You have to see these cunts!
They must have been so much fun ... please let me know any details that
I cannot get here. I would love to see what you think about it....
Baker responded:
Are tastes are so similar.
it scares me : -) When I lay down at night. all I think of before I sleep is how I'd torture
a bitch I get my hands on. I have some
pretty vivid near dreams too. I wish
I could remember them when I get up.
The bill of particulars identifies the target
of these statements as:
This
Count presents the weakest of all the government's charges against Baker.
While the government identifies the class of targets here as women Baker
discussed on the Internet, there is nothing in the language quoted here to so
limit the class. In addition, since
Baker's e-mail often refers simply to "a girl," a class composed of
women Baker discussed in his e mail and stories essentially is a class composed
of any woman or girl about whom Baker has ever thought.
Such a class is obviously not sufficiently specific.
D.
It's always a pleasure hearing back from
you ... I had a great orgasm today thinking of how you and I would torture this
very very petite and cute south american girl in one of my classes ... BTW speaking
of torture, I have got this great full length picture of the Mahaffy girl Paul
Bernardo killed, she is wearing this short skirt!
The same day, Baker responded:
Just thinking about it anymore doesn't
do the trick ... I need TO DO IT.
The next day, Gonda wrote:
My feelings exactly! We have to get together ... I will give you
more details as soon as I find out my situation ...
Baker responded:
Alrighty then. If not next week. or in January. then definatly
sometime in the Summer. Pickings are
better then too. Although it's more
crowded.
The bill of particulars identifies the target
of these statements, as in Count IV, as:
V. Coda
UNITED
STATES of America, Plaintiff-Appellant,
v.
Abraham
Jacob ALKHABAZ, also known as Jake Baker, Defendant-Appellee.
United States Court of Appeals,
Argued Aug. 16, 1996; Decided Jan. 29,
1997.
Rehearing and Suggestion for Rehearing
En Banc Denied April 14, 1997.
The district court dismissed the indictment against Baker,
reasoning that the e-mail messages sent and received by Baker and Gonda
did not constitute "true threats" under the First Amendment and,
as such, were protected speech. The
government argues that the district court erred in dismissing the indictment
because the communications between Gonda and Baker do constitute "true
threats" and, as such, do not implicate First Amendment free speech
protections.
... We conclude that the communications between Baker and Gonda
do not constitute "communication[s] containing a threat" under
Section 875(c). Even if a reasonable
person would take the communications between Baker and Gonda as serious
expressions of an intention to inflict bodily harm, no reasonable person
would perceive such communications as being conveyed to effect some change
or achieve some goal through intimidation.
Quite the opposite, Baker and Gonda apparently sent e-mail messages
to each other in an attempt to foster a friendship based on shared sexual
fantasies.
We agree with the
district court, that "[w]hatever Baker's faults, and he is to be faulted,
he did not violate 18 U.S.C. § 875(c)."
Krupansky, Circuit Judge, dissenting.
Main:
She's shaking with terror as Jerry and I circle her. She'd [sic] almost completely nude now - we've
made her take off all her clothes except for her bra and panties. As Jerry and I pass by her, we reach out and
feel her velvety flesh, caress her breasts and ass through her underwear. Jerry and I snap pictures of her tiny trembling
body from all angles.
She says in a little, terrified voice, "Why are you doing
this ... I've never hurt you ... p -please stop!" I pause in front of her. Jerry smiles at her terror. He laughs at her pitiful pleas. I say, "Shut the fuck up, stupid whore!"
and hit the side of her head, hard. She
collapses onto the ground, crying, curling up into a little ball.
"Alright. Let's
have some fun!"
I yank her up by the hair and force her hands behind her back.
I quickly get them restrained with duck [sic] tape.
Her little body struggles against me as she screams for help. Jerry tears off her panties and shoves them into her delicious mouth,
securing them with a tight strip of rope.
She'd [sic] still struggling, screaming into the makeshift
gag. I let her drop, to take pictures
of her as she struggles against her bonds.
As she's fighting there on the carpet, eyes wide with fear, Jerry
and I strip. Jerry's got a hard on. I've
got a hard on. We laugh.
I grab her bra and rip it off her. Holding her still for Jerry, he fondles her
breasts, feeling up her entire body. As
she moans into the gag, Jerry comments on how soft she is. I slap her face several time, enjoying the
smacking sounds my hand makes against her pink skin. Forcing her to her knees, I rub my cock into her face - over her
cheeks and her eyes and her nose. She
turns her head, closing her eyes with the humiliation, so I shove my prick
as far as it will go into her ear. Her
inner cannals [sic] warm; I force
it in harder, and my penis-head scrunches up to fit into the small hole,
not quite making it. [first name
omitted] groans into her gag. Then, Jerry and I tie her by her long brown
hair to the ceiling fan, so that she's dangling in mid-air.
Her feet don't touch the ground.
She kicks trying to hit me, Jerry or the ground.
The sight of her wiggling in mid-air, hands rudely tied behind her
back, turns me on. Jerry takes a
big spiky hair-brush and start [sic] beating her small breasts with it,
coloring them with nice red marks. She
screams and struggles harder. I've
separated her legs with a spreader -bar; now I stretch out her pussy-lips and super-glue them wide open.
Then I take a heavy clamp, and tighten it over her clit.
Once it's tight enough, I let go.
I stand back, to take pictures. She's really nice now: Dangling
by her hair (I can see where it's stretching her scalp), her breasts and
belly are covered with bright red bruises. There's a heavy clamp stretching her cunt down.
And best of all, her face is scrunched up in an agonized grimace.
Drool and loud squeaks escape through her gag.
She's so beautiful like this. Just to add to the picture, I take a steel-wire
wisk and beat her ass with it, making bright red cuts that drip blood. [last name omitted]'s tiny pink body is now
covered in sweat; nice and shiny
in the light.
Jerry tells me her curling-iron's ready. Jerry unplugs it and bring [sic] it over.
After taking her down and tying her hunched over a chair, Jerry strokes
the device against her bleeding ass cheeks.
The heat from it gives her ass small burns. I smile and stroke my cock as she screams in
pain and horror. She shakes her
head and moans, "Nooo ... nooo" through the gag. I walk in front of her, and remove the gag. Before she can even breath in, I ram my cock
in her tiny mouth. Her lips squeeze
against my shaft. The head of my
prick finds its way down her lovely throat.
That's when Jerry ram [sic] the hot curling iron into her tight asshole.
She tries to scream, but I shove my cock's [sic] down her throat,
and all she manages to do is gag on it.
Her throat's quiverings tickle my cock, and I start humping her face
furiously. The pain of the hot curling
iron in her tender asshole sent her whole body into convulsions;
her throat clenched against my cock.
God! This felt so good.
Leaving the iron up her asshole, Jerry reached out, pulled
one of her small tits away form [sic] her body. Jerry took his knife, and cut her nipple off. She gags on my cock some more, and I pull out
just in time to cum all over her pretty face.
As I spew loads of hot white cum onto her face, Jerry continues
to maul at her breasts. He pulls
them as far as they'll go away from her body, twisting them to cause even
more pain. Now that she doesn't
have my cock down her throat, gagging her, [first name omitted] howls out
loud. It's not even a human sound. Her eyes glaze over from the pain and torture;
a ball of my cum smacks her in the left eye.
Spent, I go grab a beer and watch Jerry finish off play.
When he pulls the curling iron from [first name omitted]'s asshole,
her sensitive skin is all burned. He pressed the head of his cock against the
tortured opening. Jerry's got a savagely big dick, and would have hurt this
girl even if her ass hadn't been burned.
[first name omitted] let out a small scream, but was too weak at
this point to make it really loud. She
only made fierce grunts as my friend's cock tore apart the inside of her
scorched asshole.
I timed Jerry at this. He
had a good constituition [sic]. For
ten minutes he buggered poor pretty [first name omitted]. Then he finally came inside her. Standing up, he walked around to see her face.
Tears and sweat mixed with my cum on her cute face.
Jerry grabbed a handful of her hair and pulled her face up to look. Her eyes, barely human, begged him to stop. He laughed aloud and
gave her a firm smack. Her head
jerked sideways with a snap.
"C'mon, man, let's go." My friend said. So we got
the gasoline and spread it all over [full name omitted]'s apartment. We chucked it over her. It must have burned like hell when it came
into contact with her open cuts, but I couldn't tell. Her face was already a mask of pain, and her body quivered fiiercely
[sic]. "Goodbye, [first
name omitted]" I said, and lit a match ...
J.App. at 91-93.
By
November 1994, Baker's sadistic stories attracted the attention of an individual
who called himself "Arthur Gonda," a Usenet service subscriber
residing in Ontario, Canada, who apparently shared similarly misdirected
proclivities. Baker and Gonda subsequently
exchanged at least 41 private computerized electronic mail ("e-mail")
communications between November 29, 1994 and January 25, 1995.
Concurrently, Baker continued to distribute violent sordid tales
on the electronic bulletin board. On January 9, 1995, Baker brazenly disseminated
publicly, via the electronic bulletin board, the depraved torture-and-snuff
story excerpted above in which the victim shared the name of a female classmate
of Baker's referred to below as "Jane Doe" [FN3]. This imprudent act triggered notification of
the University of Michigan authorities by an alarmed citizen on January
18, 1995. On the following day,
Baker admitted to a University of Michigan investigator that he had authored
the story and published it on the Internet.
FN3. Although the true name of
"Jane Doe" was known to the district court and to this appellate
forum, her identity has been concealed to spare this young woman any additional
and unnecessary fear, emotional trauma, or embarrassment.
The record reflected that during an interview concerning Baker's
Jane Doe publication conducted by a University of Michigan investigator,
Jane Doe "appeared to be controlling herself with great difficulty[,]"
resulting in a recommendation for psychological counseling by University
of Michigan personnel.
Whoever transmits in interstate or foreign commerce any communication containing
ANY threat to kidnap ANY person or ANY threat to injure the person of another,
shall be fined under this title or imprisoned not more than five years,
or both.
. . . Thus, the plain language of 18 U.S.C. § 875(c), together with its
interpretive precedents, compels the conclusion that "threats"
within the scope of the statute in controversy include all reasonably credible
communications which express the speaker's objective intent to kidnap or
physically injure another person. Whether
the originator of the message intended to intimidate or coerce anyone thereby
is irrelevant. Rather, the pertinent
inquiry is whether a jury could find that a reasonable recipient of the
communication would objectively tend to believe that the speaker was serious
about his stated intention. There
can be no doubt that a rational jury could find that some or all of the
minacious communications charged in the superseding indictment against Baker
constituted threats by the defendant to harm a female human being, which
a reasonable objective recipient of the transmissions could find credible.
. . . Because the communications charged against Baker could be
found by a rational jury to constitute "threats"
within the ambit of 18 U.S.C. § 875(c), the district court's resolution
that a rational jury could not find that any of these communications comprised
constitutionally unprotected "true threats" is ripe for review.
The Supreme Court has recognized that, while the First Amendment extends
varying degrees of protection against government censure to most forms of
expression (with political speech receiving the most stringent safeguards),
certain forms of speech are deemed unworthy of any constitutional protection
and consequently may be criminalized. A
"threat" is a recognized category of expression which warrants
no First Amendment protection. However,
only communications which convey "true threats" (as opposed to,
for example, inadvertent statements, mistakes, jests, hyperbole, innocuous
talk, or political commentary not objectively intended to express a real
threat) are "threats" outside the embrace of the First Amendment's
guarantees.
. . . Consequently, a communication which an objective, rational
observer would tend to interpret, in its factual context, as a credible
threat, is a "true threat" which may be punished by the government.
The majority's disposition notwithstanding, logic dictates that any
objectively credible representation of an intent to harm someone should
be considered both a "threat" by the statement's originator, as
well as a "true threat" beyond the scope of the First Amendment's
free speech guarantees.
The majority's disposition leads to absurd results where,
as in the case at bench, minacious communications have been made which may
satisfy the constitutional "true threat" standard because a reasonable
jury could find that those communications contained believable expressions
of an intention to injure a person, yet those same communications are nonetheless
deemed beyond the reach of 18 U.S.C. § 875(c) as not constituting "threats"
as a matter of law, merely because the subject communications were not made
with the intent to realize a specific purpose through intimidation. Although Congress, via section 875(c), clearly
intended to punish every credible interstate or transnational expression
of an intent to kidnap or injure another person, the majority's legally
erroneous unduly restrictive interpretation of the word "threat"
as used in section 875(c) effectively divests Congress of its constitutional
lawmaking authority by artificially confining the intended scope of section
875(c) to a degree not compelled by the First Amendment.
. . . the facts of the instant case justify reversal and remand
because they even satisfy the judicially legislated edict articulated in
the majority opinion. Assuming arguendo that a threat under 18 U.S.C.
§ 875(c) requires a general intent by the speaker to attain some result
or change through intimidation (which it does not), a rational jury could
conclude that this element was proved in this case. By publishing his sadistic Jane Doe story on the Internet, Baker
could reasonably foresee that his threats to harm Jane Doe would ultimately
be communicated to her (as they were), and would cause her fear and intimidation,
which in fact ultimately occurred. The
panel majority may casually conclude within the security of chambers that Baker's threats conveyed to Jane Doe
in his articles published on the Internet were nonintimidating. However, Jane Doe's reaction to those threats
when brought to her attention evinces a contrary conclusion of a shattering
traumatic reaction that resulted in recommended psychological counselling.
Accordingly, I would reverse the district court's judgment
which dismissed the superseding indictment as purportedly not alleging "true
threats," and remand the cause to the lower court.
I DISSENT.
For further background on the case, see Adam S. Miller, The Jake Baker Scandal: A Perversion of Logic.
The Jake Baker case is a particularly horrific one - the harm is quite visible, yet the government was ineffective at stopping it. [The victim, consistent with victims in all our previous discussions, dropped out of school. Thus we have another example of a male's violence infringing on the life and opportunity of a female victim/survivor.] Do you agree with the court's analysis that the threats to the woman identified in the story or to the women who were likely targets of Baker's murder/rape/torture threats were too vague to be actionable? If someone threatened to abduct, torture and murder a member of the House of Representatives, for example, would that have been too vague, as it does not involve the identification of a particular person? Are threats against men taken more seriously than those against women? Finally, do you think that this case would have been decided differently today, given the proliferation of the Internet into our daily lives(the case was from 1995)?
Group A Participants. Post your responses here.
Group B Participants. Add your thoughts to the general discussion page.
Violence against women on the internet is considered to be a new problem created by the expansion and increased accesibility of cyberspace. Is violence against women on the internet a new problem? Do you think that more attention gets paid to the issues of pornography, harassment, and stalking when they take take the form of cyberspace communications rather than other media or real-life forms? Are there new, underlying social or legal issues that arise when pornography and violence against women occur over the internet? Or do the issues discussed in the introduction to this module simply carry over to the new medium?
Group B Participants. Add your thoughts to the general discussion page.
Group A Participants. Post your responses here.
Group B Participants. Add your thoughts to the general discussion page.