Copyright in Cyberspace: Difference between revisions

From Technologies of Politics and Control
Jump to navigation Jump to search
No edit summary
No edit summary
Line 29: Line 29:
Digital and file-sharing technologies also spawned the proliferation of sharing of media and music, which has led to a number of controversial legal and technological strategies.  The "notice-and-takedown" provisions of the  Digital Millennium Copyright Act ("DMCA") allow Internet service providers to limit their liability for the copyright infringements of their users if the ISPs expeditiously remove material in response to complaints from copyright owners. The DMCA provides for counter-notice and "put-back" of removed material, but some argue that the statutory mechanism can chill innovative, constitutionally-protected speech.
Digital and file-sharing technologies also spawned the proliferation of sharing of media and music, which has led to a number of controversial legal and technological strategies.  The "notice-and-takedown" provisions of the  Digital Millennium Copyright Act ("DMCA") allow Internet service providers to limit their liability for the copyright infringements of their users if the ISPs expeditiously remove material in response to complaints from copyright owners. The DMCA provides for counter-notice and "put-back" of removed material, but some argue that the statutory mechanism can chill innovative, constitutionally-protected speech.


This class provides an overview of some major copyright law concepts, with an emphasis on issues relating to music, and takes up some of the issues swirling around copyright in cyberspace.
This class provides an overview of some major copyright law concepts and takes up some of the issues swirling around copyright in cyberspace.


==Assignments==
==Assignments==
Line 44: Line 44:


== Optional Readings  ==
== Optional Readings  ==
* [http://media-cyber.law.harvard.edu/Beyond%20Broadcast%202006/Boyle.mp4 Jamie Boyle, Beyond Broadcast Conference (video)]
* [http://wendy.seltzer.org/blog/archives/2011/02/02/super-bust-due-process-and-domain-name-seizure.html Super Bust: Due Process and Domain Name Seizure]
* [http://www.law.duke.edu/cspd/comics/digital.html Center for the Study of the Public Domain, Tales from the Public Domain: Bound By Law? (comic)]
* [http://creativecommons.org/about/licenses/comics1 Creative Commons: A Spectrum of Rights (comic)]
* [http://creativecommons.org/about/licenses/comics1 Creative Commons: A Spectrum of Rights (comic)]
* [http://www.youtube.com/watch?v=5SaFTm2bcac Amen Break Video]
* [http://www.youtube.com/watch?v=5SaFTm2bcac Amen Break Video]

Revision as of 16:45, 8 February 2011

April 5

The Internet has enabled individuals to become involved in the production of media and to distribute their contributions widely at a very low cost. The former bastion of the entertainment industry is opening up to what many are calling a democratization of culture. The copyright doctrine of fair use seemingly bolsters the right to "recut, reframe, and recycle" previous works, but the protection fair use gives to those re-purposing copyrighted material is notoriously uncertain.

Digital and file-sharing technologies also spawned the proliferation of sharing of media and music, which has led to a number of controversial legal and technological strategies. The "notice-and-takedown" provisions of the Digital Millennium Copyright Act ("DMCA") allow Internet service providers to limit their liability for the copyright infringements of their users if the ISPs expeditiously remove material in response to complaints from copyright owners. The DMCA provides for counter-notice and "put-back" of removed material, but some argue that the statutory mechanism can chill innovative, constitutionally-protected speech.

This class provides an overview of some major copyright law concepts and takes up some of the issues swirling around copyright in cyberspace.

Assignments

Assignment 4 due

Required Readings

Optional Readings

Class Discussion

Links