Copyright Part 2: Enforcement and Balances: Difference between revisions
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* Chilling Effects, [https://www.chillingeffects.org/about About] and peruse the [https://www.chillingeffects.org/copyright/search.cgi database]. | * Chilling Effects, [https://www.chillingeffects.org/about About] and peruse the [https://www.chillingeffects.org/copyright/search.cgi database]. | ||
* [https://www.techdirt.com/blog/casestudies/articles/20120405/11221818390/perspective-complexities-copyright-creativity-victim-infringement.shtml Erin McKeown, A Perspective On the Complexities of Copyright and Creativity from a Victim of Infringement] | * [https://www.techdirt.com/blog/casestudies/articles/20120405/11221818390/perspective-complexities-copyright-creativity-victim-infringement.shtml Erin McKeown, A Perspective On the Complexities of Copyright and Creativity from a Victim of Infringement] |
Revision as of 10:16, 26 February 2013
March 12
Digital technologies spawned the proliferation of sharing of media and music, which has led to a number of controversial legal and technological strategies for control and copyright enforcement. “Controversial” may be putting it lightly; the ongoing fight between copyright owners and Internet evangelists is one of the most popularly debated fights surrounding Internet control.
This class focuses on how copyright is enforced online, with particular emphasis on the "notice-and-takedown" provisions of the Digital Millennium Copyright Act ("DMCA"), which allow Internet service providers to limit their liability for the copyright infringements of their users if the ISPs expeditiously remove material in response to complaints from copyright owners. The class will also look to the now-famous fight concerning SOPA and PIPA, and other attempts to more strictly regulate against online piracy.
Readings/Watchings
- Citizen Media Law Project, Claims Based on User Content and Protecting Yourself Against Copyright Claims Based on User Content
Case Study: SOPA/PIPA
Case Study: ISP "Six Strikes"
Optional Readings