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Re: [dvd-discuss] Specific ironies of the CTEA
- To: dvd-discuss(at)cyber.law.harvard.edu
- Subject: Re: [dvd-discuss] Specific ironies of the CTEA
- From: "John Zulauf" <johnzu(at)ia.nsc.com>
- Date: Mon, 09 Dec 2002 16:34:39 -0700
- References: <3DF520F9.5B4167B@ia.nsc.com>
- Reply-to: dvd-discuss(at)cyber.law.harvard.edu
- Sender: owner-dvd-discuss(at)cyber.law.harvard.edu
There is an embedded irony in the first. Sir John Tenniel 1820-1914
created the most famous set of illustrations for Alice in Wonderland.
Because of Tenniel's longer life span, Disney acquired the rights the
the drawings (the English Copyright being life + 50 at that time?) in
order to allowed for them to "borrow" from the style.
So... because the illustrator lived longer, *his* successors in interest
profited, while the authors did not.
These ironic vagaries are no way to "Promote progress"
.002
"Copyright for 28 years, period."
John Zulauf wrote:
>
> I just stumbled over a specific irony of the CTEA. The 1951 Disney
> adaptation of Alice in Wonderland (it's beloved, but IMHO a hatchet job,
> no flames please... it's just my opinion) would have not be possible
> without Charles Dodgson's estates approval. Given the general
> unfaithfulness of the screen adaptation vs. the book this permission
> might have been difficult.
>
> Are there any other specific ironies like that? Anybody done a survey?
>
> .002