[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]
Re: [dvd-discuss] Rhapsody in Blue and the death of Jazz
- To: dvd-discuss(at)cyber.law.harvard.edu
- Subject: Re: [dvd-discuss] Rhapsody in Blue and the death of Jazz
- From: Ernest Miller <ernest.miller(at)aya.yale.edu>
- Date: Sat, 01 Jun 2002 21:06:00 -0400
- References: <1022906143.3351.14.camel@frankenstein.lumbercartel.com>
- Reply-to: dvd-discuss(at)cyber.law.harvard.edu
- Sender: owner-dvd-discuss(at)cyber.law.harvard.edu
- User-agent: Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.0rc3) Gecko/20020523
Not true. There are plenty of versions. There is a mechanical license
for songs. Anyone can record one ... you just have to pay the heirs a
legally set fee. If I want to do a cover of the latest from Britney
Spears, I could ... so long as I paid the fee. Britney couldn't stop me.
D. C. Sessions wrote:
> It's been observed that (at least according to the traditional
> forms) Jazz -- _the_ American musical form -- is dead. It died,
> they tell us, of starvation. Jazz is at heart an improvisational
> derivative of popular music and for the last few generations
> there hasn't been any popular music available for improvisation.
>
> What killed Jazz? Why, for instance, aren't there any variations
> on the theme of /Rhapsody/ /in/ /Blue/, the great Gershwin tune?
> Why hasn't someone worked variations on /Appalacian/ /Spring/?
>
> Well, in short because the heirs and assigns of Gershwin and
> Copland won't allow it.
>
> Amazing, isn't it, that composers today still can't build on
> classic works composed before their grandparents were born?
>
> Would someone *please* explain how this promotes science and
> the useful arts?
>