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[dvd-discuss] Copyright terms and Works for Hire
- To: dvd-discuss(at)cyber.law.harvard.edu
- Subject: [dvd-discuss] Copyright terms and Works for Hire
- From: "Michael A Rolenz" <Michael.A.Rolenz(at)aero.org>
- Date: Wed, 13 Feb 2002 14:14:52 -0800
- Reply-to: dvd-discuss(at)cyber.law.harvard.edu
- Sender: owner-dvd-discuss(at)cyber.law.harvard.edu
As I was pondering Ole Craigs posting during my time on the moving
parking lots this morning, I was struck by the fact of how much of what's
on Network, Cable, etc is really replay TV. How many cities have "I Love
Lucy", "Maverick","Twilight Zone", "Perry Mason" still playing? Those
shows are from the 50s and early 60s. With a 28 yr term, they would be in
the public domain. EVEN with a 42 yr term most of their episodes would be
in the public domain and could be broadcast without paying licensing fees.
Cash strapped stations could save money by broadcasting higher quality
public domain material rather than sellling time for infomercials. But of
course these are works for hire and under the CTEA, the term is 120yrs. So
what is the REASON for the long term for works for hire? <reason as
"logic" not reason as motive i.e., greed> How was that justified as
promoting progress for one group of creators (the collective) vs another
group of creators (the individuals)? And how is that constitutional?
Furthermore, if Congress can differentiate between groups of creators,
then they can differentiate between the terms of copyright for different
groups of created material.