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RE: [dvd-discuss] Gaming the system (was: Specific ironies of the CTEA)
- To: "'dvd-discuss(at)cyber.law.harvard.edu'" <dvd-discuss(at)cyber.law.harvard.edu>
- Subject: RE: [dvd-discuss] Gaming the system (was: Specific ironies of the CTEA)
- From: Joshua Stratton <cpt(at)gryphon.auspice.net>
- Date: Fri, 13 Dec 2002 13:13:49 -0500 (EST)
- In-reply-to: <E6A0E6DC7BF4D411B3180008C786FAAC25D76EA2@corpmail.usg.com>
- Reply-to: dvd-discuss(at)cyber.law.harvard.edu
- Sender: owner-dvd-discuss(at)cyber.law.harvard.edu
On Fri, 13 Dec 2002, Ballowe, Charles wrote:
> > I don't think so. But that individual could not make
> > a recording of his own performance of that song and
> > distribute that w/o paying royalties.
> >
> What about a performance that is an imitation of the recording?
> Each artist that records a song is going to do so with their own
> twist. Compare CCR's "I put a spell on you" to Marilyn Manson's.
It doesn't matter. That's still considered to be a performance. Copyright
doesn't extend to covering a person's voice or their style of performing.
Soundalikes are a performance, and would have to pay a cover license fee,
regardless of how similar it would be to the public domain recording.
OTOH, a litigant might try to sue under some sort of publicity right. See
Midler v Ford Motor Co., 849 F.2d 460 (9th Cir 1988).