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Re: [dvd-discuss] A TPM without use limitations -- thoughts?
- To: dvd-discuss(at)cyber.law.harvard.edu
- Subject: Re: [dvd-discuss] A TPM without use limitations -- thoughts?
- From: Joshua Stratton <cpt(at)gryphon.auspice.net>
- Date: Mon, 11 Nov 2002 16:00:21 -0500 (EST)
- In-reply-to: <3DCF4BBB.50002@speakeasy.net>
- Reply-to: dvd-discuss(at)cyber.law.harvard.edu
- Sender: owner-dvd-discuss(at)cyber.law.harvard.edu
Of course, this is also useful for users knowing that they're dl'ing a
song and not a decoy, as well as making a more accurate identification of
files you already have.
I was involved in a project where we hoped we could get something like
that for the various non-evil applications ;)
On Mon, 11 Nov 2002, John Schulien wrote:
> Having read the original article that started this thread, it appears to me
> that what they are talking about is not adding any sort of identifying
> information at all, but devising an algorithm to make an acoustic
> "fingerprint" of existing, unmodified songs. In other words, this
> "fingerprint" isn't something that is added to a song -- it is a digital
> summary of the song -- used for recognizing a song.
>
> It isn't a DRM measure at all.
>
> > Audible Magic's technology aims to get around the problem of
> > matching digital copies of songs that do not use a universal
> > naming convention or format. Audio fingerprinting captures
> > characteristics of a song that can be compared to files found on
> > peer-to-peer networks and elsewhere regardless of the file
> > name or type.
>
> The reason for such a scheme would be to set up computers to
> download files at random, and mechanically determine whether
> the files are MP3s of one of their songs, regardless of the
> (possibly misleading) filename.
>
> All of this discussion about adding false fingerprints,
> removing fingerprints, and adding meta-data to fingerprints is
> very interesting, but it doesn't appear to have anything to do
> with what the article is talking about.
>
>
>