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RE: [dvd-discuss] MovieMask - I'm sure the lawsuit is on itsway
- To: dvd-discuss(at)cyber.law.harvard.edu
- Subject: RE: [dvd-discuss] MovieMask - I'm sure the lawsuit is on itsway
- From: "Michael A Rolenz" <Michael.A.Rolenz(at)aero.org>
- Date: Thu, 15 Nov 2001 14:35:01 -0800
- Reply-To: dvd-discuss(at)cyber.law.harvard.edu
- Sender: owner-dvd-discuss(at)cyber.law.harvard.edu
Of interest is the section on
"to prevent any destruction of a work of recognized stature, and any
intentional or grossly negligent destruction
of that work is a violation of that right. ".....How they would plan to
stop someone from doing so is another issue...
Wendy Seltzer <wendy@seltzer.com>
Sent by: owner-dvd-discuss@eon.law.harvard.edu
11/15/01 12:50 PM
Please respond to dvd-discuss
To: dvd-discuss@eon.law.harvard.edu
cc:
Subject: RE: [dvd-discuss] MovieMask - I'm sure the lawsuit is on itsway
At 11:59 AM 11/15/01 -0500, Dean Sanchez wrote:
>This may actually come under a different category. I'm not sure if it
>is a state (FL) or federal item, but artists have gotten either a law or
>regulation passed that essentially states that the work must be display
>as they created it. This was a issue in my city because the city had
>commissioned some artwork for a park. It's been a couple of years, but
>I think it was a memory walk. Because it was in a high traffic area, it
>required constant maintenance. The city wanted to move it, but the
>artist successfully sued preventing the move and forcing the city to
>continue the maintenance.
That comes from the Visual Artists Rights Act of 1990 (VARA)
<http://www4.law.cornell.edu/uscode/17/106A.html>
which imports some European-style moral rights for the "author of a work
of
visual art" -- rights of "integrity" and "attribution", including the
right
to prevent distortion or mutilation of the work. The right is limited to
the artist's lifetime, and is non-transferrable (but can be waived in
writing).
<http://www4.law.cornell.edu/uscode/17/101.html>
A ''work of visual art'' is -
(1) a painting, drawing, print, or sculpture, existing in a
single copy, in a limited edition of 200 copies or fewer that
are signed and consecutively numbered by the author, or, in the
case of a sculpture, in multiple cast, carved, or fabricated
sculptures of 200 or fewer that are consecutively numbered by
the author and bear the signature or other identifying mark of
the author; or
(2) a still photographic image produced for exhibition
purposes only, existing in a single copy that is signed by the
author, or in a limited edition of 200 copies or fewer that are
signed and consecutively numbered by the author.
[...]
that is, it doesn't apply to mass-produced DVDs or the like.
--Wendy
--
Wendy Seltzer -- wendy@seltzer.com
Fellow, Berkman Center for Internet & Society at Harvard Law School
http://cyber.law.harvard.edu/seltzer.html