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Re: OT: Movie editing... (Was RE: [dvd-discuss] Fair use in the wild ...)
- To: dvd-discuss(at)cyber.law.harvard.edu
- Subject: Re: OT: Movie editing... (Was RE: [dvd-discuss] Fair use in the wild ...)
- From: Michael.A.Rolenz(at)aero.org
- Date: Fri, 26 Oct 2001 15:40:57 -0700
- Reply-To: dvd-discuss(at)cyber.law.harvard.edu
- Sender: owner-dvd-discuss(at)cyber.law.harvard.edu
Or the courts and legal system recognize that works that are distributed
with anti-circumvention are antipodal to the goals and practice of
copyright and therefore do not enjoy copyright protection under the law.
In effect anti-circumvention, circumvents copyright and so copyright
cannot be applied to a work with anti-circumvention.
The other thing is that if I were a judge, I'd start to get concerned that
the sort of extralegal self-help that TPMs provide also erodes the power
of the courts to adjudicate disputes and when taken to extremes they will
ultimately lose their power-which is the reason for their existance.
Wendy Seltzer <wendy@seltzer.com>
Sent by: owner-dvd-discuss@eon.law.harvard.edu
10/26/01 02:51 PM
Please respond to dvd-discuss
To: dvd-discuss@eon.law.harvard.edu
cc:
Subject: Re: OT: Movie editing... (Was RE: [dvd-discuss] Fair use in the wild ...)
At 08:32 AM 10/26/01 -0500, Kroll, Dave wrote:
>Perhaps it's not new, but it disturbs me that we're losing the
>integrity of a historical resource. Not that I recalled or care much
>what the police are holding in E.T., but it bothers me that there
>may be no record of the movie _I_ saw. It feels a bit 1984ish;
>"The cops don't have shotguns. They never had shotguns."
>Whatever version you saw goes down the memory hole.
If it bothers you with E.T., just wait until libraries have only
electronic
subscriptions to newspapers and magazines...
>To try and bring this back towards topic: Has the fact that they
>retouched a few scenes make this a new work for purposes
>of copyright? Does reset the shot clock? How much of a change
>to a work is required to make it new?
It's yet another problem exacerbated by anticircumvention. The new
derivative work copyright date applies only to the newly-added content,
but
you can bet that the TPM won't protect only the new scene. So even when
we've waited long enough for works to enter the public domain, the only
versions publishers will be printing in the format-of-the-day will contain
a revised intro or a new preface, tacked on as an excuse to put the whole
thing under techno-legal protection. Unless courts recognize the
possibility of "significant non-circumvention use" of a circumvention
device, we won't be able to reach the unprotectable part of the mix.
--Wendy
--
Wendy Seltzer -- wendy@seltzer.com
Fellow, Berkman Center for Internet & Society at Harvard Law School
http://cyber.law.harvard.edu/seltzer.html